Starring: Van Vicker, Omotola Jalade Ekeinde, Reginald Lubin, Carlin Kenol
Story: Darlene Cobham
Producer: Samuel Ameyaw, John Uche
Executive Producer: Samuel Ameyaw and John Uche
Director: John Uche
Year of production: 2010 Country: Nigeria, Ghana, Haiti Language: English Genre: Religious Drama
Prologue:
This movie was initially hyped here as a Nolly-Golly-Belly combo that I was really looking forward to. It’s been out for a while, but I never found the time to watch it until over the Christmas break. Even though I was hesitant because all reviews that I had seen were pretty lukewarm, I felt that I owed it to my readers to review it after hyping it, so I tried it out over the Christmas break. I was pleasantly surprised by how much I enjoyed it.
Story:
Betty (Omotola) is a very pretty Christian girl who attracts a lot of male attention, particularly from Patrick, one of her male coworkers (Reginald Lubin). She falls in love with and marries Richie (Van Vicker), a successful Christian man. They are the perfect couple, very good looking. She starts to live her worst nightmare when after their wedding Richie refuses to touch his wife. For three months, they play cat and mouse with each other, with Richie coming up with every excuse in the book to avoid intimacy. One day, Betty comes home early and accidentally discovers the reason for Richie’s refusal to perform his marital duties. What does she see, and what does she do about it?
So, it appears that CNN has this fascination with Nollywood. The industry is now on their radar and it appears there is a new story every 5 minutes. However, I am not sure that I am feeling this exhibition at all. It all seems so artsy without much substance that I can relate to. I am an avid Nollywood fan and I do not really know what Ms. Saro Wiwa is going on about. Who are these people? And there is more to Nollywood than the aspirational English movies. We have the yoruba movies as well as the traditional village based movies. Talking about plastic and aspirational!! Suffice to say I am not really excited about view of the industry. But here it is anyways:
Apart from the fabulous Letters to a Stranger, I have not been too excited about movies produced or directed by any of the Amata brothers. Okay let me be specific - I hunted down Amazing Grace after all the hype, and one year later, I still have not gotten through it!! But it seems like they have been busy of late, so hopefully their story telling has improved.
I am hyping this because it tells a different story from the normal "marry love" Nollywood story, and the trailer is promising. I have my reservations about the storyline as it appears on the trailer, but I will hold my tongue until I can see it. The movie is entitled Black Gold, and actually stars some Hollywood heavyweights, including Billy Zane (Titanic), Hakeem Kae Kazim (Hotel Rwanda) as well as Sarah Wayne Callies(Prison break). Note that this is a different movie from Liquid Black Gold, a slightly above average movie starring Sam Dede on a very similar theme that was released in 2009 or late 2008 (its hard to tell, the jackets of Nigerian movies do not have dates for some reason!).
What is it about?
From award winning director, Jeta Amata, comes Black Gold, a powerful story of greed, murder and corruption in the murky waters of the volatile oil rich Niger Delta region of Nigeria. Black Gold is an epic film about environmental justice and the fight over the control of the scarce oil resources that the world runs on. The line between good and evil is blurred as corrupt government officials, greedy oil companies and violent rebels go on a war path over oil spills and degradation of the land caused by oil exploration. Starring Billy Zane, Mbong Amata, Hakeem Kae Kazim and Sarah Wayne Callies. Produced by Jeta Amata, Wilson Ebiye, Dede Mabiaku and Hakeem Kae Kazim. Original score and trailer by Joel Goffin.
Trailer below:
You can find a half finished website with some pics but no working links here. I hope there is a better website soon. I will update this link if I find one.
So everybody has been talking about this movie for a while now, but I decided to wait on the trailer before hyping it. The buzz is really positive. I am so excited about all the good things that are suddenly happening in Nigerian cinema. This appears to be another movie that is once again going to take the industry to the next level. It is the filmmaking debut of Chineze Anyaene who directed and co-produced it with Paula Moreno. The movie has already been screened for some Hollywood high-flyers late last year, and there have been a few private screenings as well. The few available reviews have been effusive - Omotola and Genevieve were said to have knocked it out of the park!! I just cannot wait to see this one.
IJE tells a tale of Chioma, a child growing up in the Nigerian countryside, who warned her restless sister, Anya, about the trappings of the American Dream. Now ten years later, Anya is accused of killing three men in a Hollywood Hills mansion—one of them her record producer-husband. Chioma travels from Nigeria to Los Angeles, and with the help of a young, unproven attorney, discovers that the dark secret her sister wants to keep hidden might be the only thing that can win her freedom." It stars Genevieve Nnaji and Omotola Jalade Ekeinde. It will be released in March 2010...
Trailer:
Just even look at the production quality of that trailer!! And check out the music - she used Asa!! Honestly, I am so excited!!
You can learn more about the movie here and also keep up with new developments on this thread. There is also a website, but it is still undeveloped. Will update this post if any action turns up on that site.
Alright folks, the movie is supposed to hit theatres sometime in March. And then I guess DVD later in the year? Looking forward to it. As usual, we will review when we see it.
So, although Van Vicker from Ghana is the hottest thing in Nollywood at the moment, no movie of his has ever made it to this blog, mostly because I am not enamored of his acting, producing or directing (yes, he does the last two!!) And I doubt that any movie of his that I have ever seen will - well there is one exception (Reloaded) but that contained a stellar cast. However, I have chosen to "tentatively" plug this movie, mostly because I am totally in love with the leading lady - the queen herself Omotola! In addition, I am curious as to what a Ghanaian, Nigerian, Haitian combo will look like.
The movie is Mind Game, directed by Nigerian director, John Uche.
Story:
In this heart racing, conflict stricken, suspense cut drama, Betty (Omotola Jalade Ekeinde) gets entangled in her worst nightmare and all hell breaks loose one holy afternoon when she returns home from work unexpectedly to find her husband Richard (Van Vicker) in a compromising position with a friend of his in their study only four months after their wedding, during which he deliberately avoids consummating their marriage...
Shocked beyond comprehension, she is torn between divorcing him, and staying in the marriage...
Trailer:
The movie stars Nigeria's sweetheart Omotola Jalade Ekeinde, Ghanaian heartthrob VanVicker, and Haitian movie stars Reginald Lubin and Carlin Kenol.
Fun trivia: The Haitian movie industry is called Bellywood!
Preamble: First let me admit that I came upon this one by accident. I stumbled on it one day when I was slacking off. I was going to ignore it, but then I checked it out and it appeared to have garnered rave reviews, though I had never seen it, or even heard of it. So I watched it. Holy Moly!! FA BU LOUS. One of my very favorite Nigerian movies ever! EVER! It was engaging, interesting, intriguing, realistic, very well done. I dropped everything I was doing, and could not stop watching. It sucked me right in.
Trailer:
Summary: Eucharia Anunobi plays Divine, a widowed mother of one, and she is in Abuja on business. There she meets David Salako (played by Kalu), a much younger man who persistently pursues her. She gives in after some objections (and some alcohol), and they have a one night stand. He leaves her his number but she decides never to see him again. She has no interest in keeping it going. All she wanted to do was scratch her itch and live out some fantasies. After she returns to Lagos where she is based, her son (played by Desmond Elliot) comes home with his fiancée (Ekwi) from the UK, She has a party to celebrate his graduation and his intended nuptials, and meet his friends. She has the shock of her life when her son’s best friend turns out to be someone she has met before. Things become very, very interesting.
Review Positives: Please do not be put off by the really bad title. It does this great work no justice at all. I would have called this one the Couger, or Old Wine (better with age), or something like that. Looks like someone just pulled the title out of their nose “For Real”!! Having said that though, this was Kalu’s first movie (as he states here ), and that is darned impressive! Boy did he act the living daylights out of this role. What talent, what swagger, what charm! Two thumbs way up for this role. In fact, everyone impressed me. Eucharia was fantastic as the cougar struggling with the social ramifications of loving a young buck, Desmond was fierce as the overprotective son, Dakore was fabulous as David’s fiancé, and Ekwi was just so pretty as Angela, Divine’s daughter-in-law to be. The casting for this movie was almost perfect. I especially loved Mrs Remi Abiola (RIP) in the role of Mrs Salako, looking out for her son. When her big scene came up, I paid attention. She was regal, and angry, and she worked it. This movie – it was great!! I did not use the fast forward button once on this movie. Not once. No wasted scenes. Even the “I love you” toritese (head and leg) scenes were bearable.
Negatives: The weak link was the guy who was chasing after Dakore’s character. First of all, he was so not necessary to the development of the story. Second of all, the guy cannot act to save his life, his diction was bad, and I just could not figure out what he was doing in there! Also, they spent a lot of time talking about David buying a car, and then you finally see the car and you are like – really? That’s it? Blah!! Of course, as in many Nigerian movies, you had to do the volume thing – turn it up for conversations, turn it down when someone was shouting. And the picture quality could have been better.
Lessons/Worldview: I love this movie, I will not lie. It is so well done. I have watched it several times, and I just loved it more and more each time!! I would not claim that it teaches any deep life changing lessons – except to provide yet another argument against indiscriminate sex!! – But it does lead to interesting questions about Cougar relationships. So we expect that in relationships, the man be older than the woman, or they be close in age, at least in the African context. When the woman is much older, is it unbearable? When is an age difference too much? Or does it really depend on the individuals involved? Is love enough in non traditional relationships? This issue is discussed in more detail here
AVAILABILITY: Unfortunately, I don’t know where you can get an original copy of this movie in the diaspora. I apologise. I hype it so much and it is unavailable. Your options are either you buy a copy in Nigeria (if you can), or you can call and ask any of the big three if they have it. Sorry.
Story: Well, the movie begins with Nse (Omoni Oboli), obviously agitated, at the travel agent’s trying to leave the country in a hurry. On being told that getting a ticket may not be so easy at such short notice, she sits down to a phone conversation with her mother. We soon discover that she is having relationship troubles. She is seated beside Elizabeth or Lizzy (Nse Ikpe-Etim) who overhears her conversation. Lizzy starts to question her with some empathy, and they start to trade relationship war stories – leading to the rest of the movie. Nse is recently married to photographer Kelechi (Rob Loner) whom she apparently helped place on the road to success. They had a planned a honeymoon in Italy but Nse had to go on alone because Kelechi had to “work”, and then he joins her for just four days. Work turns out to be the very sexy Boma (Mercy Johnson), who he does not tell that he is married. How does he juggle the two women when his wife is back in town?
Elizabeth’s story is just as convoluted. She is married to the very successful businessman Teso (Ramsey). They have a love-hate relationship – very complex. Elizabeth is very free spirited, and the more uptight Teso responds by keeping tight reigns on her, and is very controlling of her, even down to her clothing choices. They manage to keep the marriage going despite the tension, until Teso’s brother Robert (Majid) comes home from the States and stays with them. How does Robert affect the dynamic of the relationship between Elizabeth and Teso?
Trailer:
REVIEW Positives: The story is not particularly new, but the leading cast gave a very convincing performance, making this movie a pretty good one. Ramsey has never had problems playing the suave, rich dude, and he certainly had no trouble with this role. What makes him a top actor is what he does with his face. He is soooo expressive! DANG! When he was angry, you felt it and it sucked you right in. Very nice. I thought it was so apt and appropriate that Majid was cast as his brother in this movie because Majid reminds me very much of Ramsey, not just because of his complexion, but also because of his expressiveness. For part of the movie, Majid had to play the ashewo (skirtchasing) playboy. I will admit that sometimes, the way he leered at the ladies made me laugh. His performance in this movie was quite solid, and for the most part, very convincing. With Nse, I am torn. She is magnificent when she is angry. I cannot think of too many people that get angry or worked up like Nse in Nollywood. She is quick witted, sharp, her delivery of sarcasm is right on time. She was fantastic in the movie “Reloaded”, and she is totally convincing as Elizabeth, Teso’s neglected and overcontrolled wife. However, in the more nuanced moments, she does not deliver as well. She is adequate, but she is not there yet, like Ramsey is. Ramsey has learned has to use his expressions in such a way that they convey his emotions powerfully, without him saying a word. One of the most powerful scenes of the movie, where she is expected to show profound shock, I found wanting. I did not really believe her. Omoni was good as the naïve, wronged wife, while Mercy was magnificent as the femme fatale mistress. Mercy attacks every role with gusto – she does not disappoint. Rob Loner (Kelechi) was pretty good in the role of philanderer, although once again, he has not fully learned how to express himself without overacting. Once again, adequate, not fantastic.
Some positive details: Majid could actually swim! Hallelujah!! Usually, you have scenes in Nollywood where people get into the pool and just paddle like dogs. Dude could swim!! And they changed up the love scenes a little bit. Instead of icecream, chases at the beach and fried rice, we got pictures at the beach and volleyball. Fine, it was bad volleyball, and the scenes were too long, but at least, they changed it up a bit. Yay!! And then there was a scene where Lizzy was happily texting someone with ths Song – "I will get by" playing. Just loved that scene. I tried to find who wrote/sang that song on the credits. I don't think it was listed, or did I just miss it? Edit: Just found out the song is by Austin Erowele. Very nice job. One more thing about Lizzy’s character – I loved most of her clothes. Very sexy!!
Negatives: It started off too slowly. They spent too much time in Part 1 just laying the background for the story. While the movie really held my attention in part 2, most of part 1 was spent going back and forth from Nse’s to Lizzy’s story and it just did not flow properly. It appeared too disjointed and just off! More specific complaints: The supporting cast: Rukky Sanda, not a particularly good actress, at least not in this role. The way her relationship with Robert was developed was kinda weird. And what happened to her at the end?!! The role of Lizzy’s friend, (Oriaifo), acted by Paul Frank was totally unnecessary, poorly developed and badly acted. First time I was seeing the guy, and I was not impressed. Filler scenes: Shopping scene with the girls, what was the point? Fine, Lizzy was having fun with her friends, but it was too long, and took a while to figure out what the point of the scene was. In addition,I dunno if I bought Lizzy as a model. I guess its watching too much of America’s next top model, but for a pro, some of her posing was too awkward, but I guess it was adequate for the purpose. If they had not tried to make her out to be a pro, I guess I would not have been nitpicking.
Negative Details:Mercy Johnson’s wig was kinda scraggly. Just saying! In addition, Nigerian actors need to stop saying “How do you mean”. It drives me nuts! Rukky’s character says it in this movie!! Some of the lighting and camera angles were not good, particularly in part 1 - sometimes you felt like the camera was right on top of the actors. I am no pro, but I could see that. Music was also kind of distracting in some parts.
Themes and worldviews: This is a classic men are from Mars, women are from Venus situation – answering the question why to the different sexes cheat in a stereotypical manner. So, according to this movie, men cheat because they can. Kelechi had no other reason. He supposedly loved his wife and she was devoted to him, but he strayed just because…. On the other hand, women cheat for emotional reasons. When they are neglected, they go look for love elsewhere. Elizabeth (or Lizzy) cheated because she wasn’t feeling the looooove from Teso. She felt forsaken and alone and when someone came along who “understood” her, she fell like a pack of cards!! You disagree? That is what the movie writer says – not me!!
Rating: 7.5/10 (they lost points because of that slow part 1).
Producer(s): Okey Ezugwu / Emmanuel Ugwu Director: Tchidi Chikere Year of production: 2003 Country: Nigeria. Genre: Traditional/Romance Language: English
Story: Nnaji plays a young wife and mother who loses her entire family in one day. The village elders accuse her of killing them , and use it as an excuse to drive her out of the village. This is something that they have been considering because they think she is a witch based on the unusual color of her eyes. Even though she realizes she is different, she sees her eyes as a mark of beauty from the gods. Racked with her pain at the loss of her husband and child, her grief almost renders her insane. She ends up in another village where she is labeled a mad woman and treated as such. After much taunting and insults, and a series of painful events, she meets a champion marksman played by Kenneth Okonkwo. He looks past her antics and instead sees a broken woman who needs his help.
Trailer:
REVIEW Positives: This movie falls into the top three of my most favorite African movies. It’s an old movie but it’s still an enjoyable watch. This movie centered on Nnaji and she proved her mettle. She became this young woman who lost her beloved family in one fell swoop, and had to endure untold pain. For most of the movie, I forgot it was Nnaji I was watching. Okonkwo did an absolutely wonderful job, providing just the right touch of arrogance.
Though the story was tragic, it was wonderfully told. I was a little worried that they would overdo it on the tragedy (make it a tear-jerker) and draw it out but the movie didn’t dwell on that. Rather it focused, as it rightly should have, on Nnaji’s character and the marksman. Unlike most Nigerian movies, there was character development in this movie, you grow with this character as she struggles through her grief and pain and the uncertainty of her life, and then…healing?
The two lead characters had chemistry and although Okonkwo’s beard was a little distracting, he still did a fantastic job. I’ve always believed that Nnaji is an actress who does a lot with her face and body, she makes you watch her in this movie, because if you take your eyes off her for a second, you miss what she isn’t saying vocally but visually.
I loved this movie because it was a sweet, touching, and moving story. It told of redemption, of love lost and re-gained, and hope. And you leave the movie with a good feeling, and I daresay with a smile, because there are good people in the world, and if you look long enough, you’ll find your Rising Sun.
Some scenes worthy of mention 1) The market scene, where she pushed away those cowries when the woman paid her extra, was extremely heart wrenching. EVEN I BELIEVED SHE WAS CRAZY AT THAT POINT. Here is a woman who is almost mad from the pain of loosing a husband and a beloved child on the same day!!! Who can bear that? Who can go through that and the stigma of being accused of a witch because of, to quote her "a mark of beauty from the gods", being chased away from your home and the one person who believed in you, and still remain sane?
2) I felt like going to her and wiping her tears whenever she cried "I killed him, I killed them” 3)The death of her family was movingly done. Her face when she realized her husband was gone? Brilliant. Brilliant I tell you
Negatives: There were several production mistakes, and the camera work was not very exciting. In addition, the location work showed many signs of modern life (a bad error), and the costuming left much to be desired. They also stuck some pasty white cotton wooly thing on Okonkwo’s face and called it a beard. I’m not sure why he had to have one, but it was a horrid sight. Also, there were some scenes between the marksman and the widow that should have been improved upon. The marksman engages in some inappropriate behavior that leads to some vey crude scenes. I felt it wasn’t handled right and could have been done differently. Those scenes were insensitive and hampered the development of the movie somewhat.
Themes and worldviews: This movie brings to the forefront, our penchant for labeling anything that we do not understand. We either fear it, or we destroy it. The villagers did not understand the strange colour of Nnaji’s character’s eyes and so they decided she was a witch to be destroyed. The movie also touches on the treatment meted out to widows and women in some African societies. The mother-in-law’s pleas were disregarded, and even when the widow tried to defend herself, you would see that no matter what she said, judgment had already been passed. The woman just lost her family and isn’t even allowed time to grieve or mourn.
Rating:8.5/10
Availability: Please check with any of these three online merchants, although I don't know if they will have it. I have never seen it with any of them.
Starring: Genevieve Nnaji, Segun Arinze, Joke Silva, Gbenga Richards, Chet Basheri Anekwe (CBA), Kalu Ikeagwu, Iyabo Amoke, Najite Dede.
Producer(s): Ego Boyo
Director: Mildred Okwo
Year of production: 2006
Country: Nigeria.
Genre: Political Thriller/Romance
Language: English
Availability: This movie is ONLY available for purchase here
Trailer
Preamble: There was a lot of anticipation surrounding this movie – it was finished and premiered in 2006, but was not released until 2008 for a number of reasons, none of which are really relevant to this review. Suffice to say – we were waiting for it anxiously. And because I am reviewing it here, suffice to say it was worth the wait – mostly! It is a thriller and a love story (well mostly lust), and it somewhat delivers on both fronts.
Story: Gbenga Richards is Mr President, Ms Joke Silva is Minister of state while Segun Arinze is the inspector General of police in a corrupt and degenerate establishment. However, they have a problem on their hands, as top government functionaries are being mysteriously assassinated. The culprits? A band of female revolutionaries who are tired of the massive corruption pervading the land and decide to take matters into their own hands. Into all this drama walks Kene Alumona (played by the ubersexy CBA). He is home on vacation after many years in the US, and he picks up the very pretty Chinora Onu (Genevieve Nnaji) after dancing with her at a club. But is Chinora just another hot chick, or is life a little more complex? And how are the lovebirds affected by the chaos infecting the larger polity? REVIEW Positives: How would I describe this movie? How about ambitious? And SEXY!! I think Desmond Elliot and Ramsey Noah, and all the rest of Idumota’s favorites just got schooled. Chet as love interest was absolutely outstanding and extremely sexy. I think just a little too sexy!! I think this is one of the sexiest Nigerian movies I have ever seen. I know, I am overusing the word sexy, but mamma mia!! My eyes were wide open agape. Genny and CBA really went for it in this one. I was, to say the least, surprised, and believe me, the love scenes are not for kids. At one point, we even get a glimpse of Chet’s well toned butt!! They certainly pushed the envelope on this one. While not as bad as the sex scenes in many American movies, this was still a bit raunchy. So therefore, watch with caution.
How was the acting? Mostly great. Joke Silva, CBA, Genny and her sidekicks, Segun Arinze, and Gbenga Richards all did their thing very, very competently. Genny living her double life – floated nicely between super bad woman, and conflicted good girl. And Ms Silva!! Oh, she was just magnificent as Minster. Finally a role that is ALMOST worthy of her talents! In terms of other aspects of the movie, sound and picture quality were very high (this is a Nigerian movie after all, and we must comment on these things until they cease to become an issue) and the musical scoring was mostly very competent. There were one or two songs that bothered me, but in general, it worked well.
Negatives: Kalu Ikeagwu was in this movie as a reporter, working along side a female reporter played by Iyabo Amoke investigating all the murders. I am a huge fan of Kalu’s – have been ever since I saw For Real, but he was just bad in this one. He was not the spontaneous, fabulous Kalu that we love. He was so scripted, his dialogue so slow and so stilted – I just could not figure it out. And while I understand what he and Iyabo Amoke were supposed to be doing, I was not overly impressed with how they did it. Needless to say, the journalistic angle to this story did not really work for me. In addition, it was obvious that there were certain aspects of the story that were better developed, and better thought out than others - I still don’t really get that Alhaji thing. And as for the ending, without giving it away, I must complain about it most vigorously. Waaaay too cheap. C’mon. I know the Nigerian Police Force has issues, but I cannot believe that they can be that clueless, careless and inept. I think the writer ran out of ideas at the very last minute and thus wrapped up the movie with an ending unworthy of the story. I was really disappointed by that!!
Themes and worldviews: The issue here is revenge or justice, depending on how you see the world. This is particularly relevant to us as Africans, as we deal with corrupt and inept leaderships in our respective countries. How do we handle people in power who bleed our countries dry? Kill them all? Many African countries have chosen that route and the resultant civil wars over the last few decades. Is there a better way? If we do not put into place, collectively as a people, a system of justice that is fair, equitable and blind, then we make revenge as a system of justice almost inevitable. This may be manifested in carefully targeted assassinations as we see in 30days, or, it may end up as nasty, protracted, expensive civil wars. Our choice.
Bottomline: Despite all the sex involved, the movie certainly deals with some difficult and timely issues, very relevant to our situations as Africans. While it had its problems, I still highly recommended it. It is certainly way better than the average Nigerian movie.
Movies rated on this site will fall into three categories:
Level 1 (out of 10): Naija/Ghana standard movies These are usually movies with interesting storylines and competent lead acting. However, because many movies out of Ghana and Nigeria are rush products, they are often plagued with many production errors. These include but are not limited to: some really bad wakapass actors (extras), lighting problems, drawn out scenes, sound issues, at least one mismanaged scene (usually hospital, court or police), etc, etc. For some of the better movies out there, while these problems do not render the movies unwatchable, they do diminish the quality. Therefore, movies at this level are judged based on the prevalence of these issues.
Level 2 (between 11 and 15): Better than Naija/Ghana standard, not quite international standard.
For movies in this category, attempts have been made to clean up some of the usual errors and adhere to a different standard of filmmaking. These movies are usually technically proficient, and display good picture quality, good sound quality, and inventive story lines.
Level 3 (out of 20): Ready to take on Hollywood e.g Tsoti (SA movie and Oscar winner). Movies in this category are ready to take on the world. They are world class, and are not hard to recognize.
Please note that we do not recommend any movies on this site that earn a rating of anything less than a 6 out of 10. Otherwise, we would have to watch a lot of junk and we refuse to spend precious time and money doing that. If you want reviews that encompass ALL movies, no matter how bad, see here or here or here
Please note that this post has been updated in November 2010 to capture current realities in the market.
There are three main sites that sell original English movies in the US. They are:
1.African movies Mall
This used to be Nollywoodtitles, and I bought from them very frequently, and had only good things to say about them. They usually delivered promptly and efficiently. And when there was some kind of hitch, they usually apologized and tried to make amends. However, as they were trying to transition to a new name and I guess a new website, they stopped filling orders, stopped communicating with customers, it was strange. I was able to get a refund so I was not too unhappy. However, I have no idea how they will behave under a new name and I have no idea if they have new management. I have not bought anything from them since the makeover.
2.Francofilms
I have also ordered from them, though not as frequently. I have found them to be really slow on fulfilling internet orders, so I am not as excited to order from them. I get my movies after about two weeks, and I have had to contact them by phone (once) before I got my movies. In addition, on one occasion, they did not have one of the movies I wanted, and instead of contacting me to either refund my money or find out what replacement I wanted, they put in a movie I did not order – which turned out to be crappy! I complained, but they never got back to me!!
Update: May 2010
I decided to give Franco films another chance, and they did the exact same thing to me - sent me a movie I did not order with no apology. I complained again and they totally ignored me. I should have disputed the payment on paypal, but it was a busy time in my life so I had to let it go. I am now boycotting Franco films henceforth. You buy from them at your own peril They have no respect for customer service - that is my conclusion now!!
I have ordered from them as well. When it appeared that they did not have the movie I had ordered in stock, they were good enough to call me about what replacement I wanted. When I asked for a refund, they agreed, but were later able to send me the movie I had earlier ordered. Therefore, I currently have no complaints about them, although I have not ordered from them frequently enough to comment knowledgeably about their quality of service.
Note: I used to have a site here where you could buy Yoruba movies, but they have since shut down. I will let you know if I get a replacement.
In addition to these three, you can also sometimes get original African movies from: 5.Your local African store.
Many of them stock pirated and genuine African movies. If you demand for the genuine movies, then perhaps you can decrease their desire to stock pirated movies.
Important things to know about the aforementioned online sites:
a) I only order from them via paypal, so that I can get a refund if any trade disputes arise.
b)These sites put up the movies they have in stock on a rolling basis, so even if they do not have a movie up you want on their website, they may have it later, so you can contact them and find out if they can get what you want for you.
c) I have been told by a reputable and reliable source, that even these legitimate sites also pirate movies that they have not bought the rights to. Please buy only original movies from them to remove their motive for doing so.
With regards to piracy, here are a few important facts:
Apart from these three sites that I have put up there, every other site, at least in the US, is engaged in piracy. This means that they are selling movies without the knowledge or the permission of the original producers. Don’t be deceived by whatever they put up on their sites, claiming to pay producers or what not. They don’t pay producers a single dime. So if you buy from them, be aware that you are paying somebody for the ability to buy a copy of a movie and reproduce it a hundred times. Here are a few tips for telling a pirated movie:
Check the packaging and make sure the movie is air-tight sealed.
Look for the movie title and movie company on the top-end seal.
If you're able to, check the bottom of the disc itself and make sure it's color is clear-white, and that you're able to see yourself in it's reflection (as if it's a mirror).
Non-manufactured discs tend to have a purplish or bluish hue (purple = DVDs, blue = CDs).
Look for the words "copyright," "illegal," "infringement," "unauthorized reproduction," "FBI," "anti-piracy," "federal prison," "5 years in federal prison," "$250,000 fine" or "$150,000 fine" on the bottom-back cover of the movie.
Look for a Production/Release date on the bottom-back cover of the movie like "2009...All Rights Reserved."
If you are aware of any other websites that sell genuine copies of african movies in the US, even if the movies are from East or South Africa, please let me know and I will update this list. Also, if you are based in Europe or Canada and you know any sellers of genuine African movies, please let me know so that I can do a list for those regions as well.
This site is devoted to documenting the very best of African cinema. It is true that if you pick an African movie at random, you are likely to end up with junk, be traumatized and never watch another one. However, there is a large minority of moviemakers and actors who have over the years and in a variety of languages distinguished themselves. They have created art that is entertaining and educative, provoking and stimulating. Despite bad infrastructure and poor budgets, they have made movies that have made us want more. This site is devoted to them.
If you are new to African movies, you are about to be introduced to an experience quite unlike anything else that you have ever seen. Popular African movies from Nigeria and Ghana do not in any way, shape or form compare to Hollywood, or even to Bollywood. If you have that level of expectation, you are likely to be disappointed. They are very dialogue driven, and utilize very basic technologies. However, many times they depict life in Africa as we remember it, and very realistically too. They make us laugh, they make us cry, and they make us nostalgic. For this reason, we and millions of other diasporeans love them.
Even if you are a veteran movie watcher, I am sure that you have picked up quite a bit of junk (if you are buyer). This site and several others like it that we will point you to will help you to make more informed choices and also let you know how to purchase movies in such a way that you are helping the movie maker, and not some blood sucking pirate.
The name of this website is rather ambitious. If it takes off the way we hope, then every movie worth watching will be properly documented, information about the best actors out of Africa will be available at your fingertips, and you will be well aware of which producers and directors works you should eagerly purchase and which you should avoid.
There are other sites that will give you reviews for almost every Nigerian and Ghanaian movie out there: Nollywood forever is one, Miss T-i-l-i-i is another, and we also have naijarules - the home of all things Nollywood. If you are an experienced African movie watcher, those may be better sites for you. However, if you are new to the experience and you don’t want to wade through loads of information, then you are at the right place. Every movie that is reviewed on this site will be logical, entertaining and therefore eminently watchable.
For now, the movies profiled here will be mostly from Ghana and Nigeria. There are bustling movie industries in Eastern and Southern Africa, we are told, but we really have no access to those movies beyond the ones that are hyped up by oscar committees (e.g Yesterday, Tsotsi). Therefore if anyone knows how to get original copies of movies from other parts of Africa, please email at moviemadam@gmail.com. We would love to start to profile those movies as well.
In addition, if you have a (good) movie you really want profiled and we have not gotten to it yet, please email us. Once we are sure that the movie is really that good, we will give you the go ahead to write up a review. The movie does not have to be out of Nigeria or Ghana. The more diverse the movies we can cover, the happier we are. We just ask that the moviemeets certain minimum standards of filmmaking, which is why we may ask you to vigorously defend your choice. Having said that, please know that your input on quality filmmaking out of Africa would be much appreciated and actually, greatly desired.
I sincerely hope that this site is able to fulfill its mission of heralding good African cinema, and bringing much deserved publicity to those who so expertly entertain us despite all the constraints they face.
This website is devoted to fans of African movies who want to know which ones are worth watching. We only review above average movies on this site. The purpose is to give props to the actors, producers and directors who have squeezed water out of rocks and created decent entertainment against all odds.
If you want to review a movie for us, please email moviemadam@gmail.com.
We would be happy to feature all good african film, regardless of age, or origin.
Thanks for stopping by
